Le Dimore del Quartetto


We concretely support the career of young talents.

On January 1, 2018, Le Dimore del Quartetto signed a Network agreement with some of the main Italian concert societies.
The activity of young string quartets’ promotion started by Le Dimore del Quartetto is realized through the direct collaboration with the societies taking part in the Network.
We promote our musicians’ employment and organize logistics before their concerts.
The Network is open to other participants.
Write an e-mail to info@ledimoredelquartetto.eu to propose your concert society.

Read the agreement for the constitution of the Network of Le Dimore del Quartetto


The Accademia Filarmonica Romana is a musical institution based in Rome, Italy. It was established in 1821 by a group of noble amateur musicians in orde to perform chamber music and symphonies, as well as censored operas like Moses in Egypt by Rossini.
It was recognized firstly by the Papal States and then by the Savoia monarchy which assigned to the Accademia the musical part of official State’s ceremonies and royal funerals. Nowadays it’s a private non-profit organization, recognized by the President of Italy in February 1969.

The Associazione Alessandro Scarlatti, charitable trust since 1948, has been founded in 1919 with the aim of making known the ancient Italian music, which in that period, was becoming popular again among those people sensitive to culture. 

In fact, not only musicians, such as Emilia Gubitosi, Franco Michele Napolitano, Vincenzo Vitale and Giovanni Tebaldini, but also writers and people of culture, such as Salvatore Di Giacomo and Maria De Sanna, founded the Scarlatti.

Two cultural traditions are at the core of the Associazione Amici della Musica di Padova: that of the Società Bartolomeo Cristofori – the concert society of the Istituto musicale Pollini, founded in 1920 – and the more recent tradition of the Centro d’Arte degli Studenti of the University of Padua, created in 1945.
In 1924, the opera Pierrot Lunaire was performed by Schoenberg in Padua. Some major composers came over Padua, such as Pizzetti, Casella, Dallapiccola, Hindemith and Stockhausen.
In 1952 started the activity of the Amici della Musica, which has been institutionalised in 1957 absorbing the Società Bartolomeo Cristofori and the concert society of the Istituto musicale Pollini. The main activity of the association is the music season that previously took place in the historic hall Sala dei Giganti al Liviano and that now is organised every year in the Auditorium Pollini of the conservatory of Music of Padua.

Mantua Chamber Music Orchestra was founded in 1981 and its brilliant technique, together with a deep research in terms of sound and styles. In 1997, the orchestra as awarded as best chamber ensemble with the renowned “Franco Abbiati” Award, assigned by Italian musical critics «for its sensitivity and attention to different styles and for its continued research of sound that guarantees the highest match between Italian instrumental tradition and classical repertoire».

The seat of the Orchestra da Camera di Mantova is the Teatro Bibiena di Mantova, authentic architectural and acoustic jewel.

Founded in 1921, the Filarmonica Laudamo is the most ancient Sicilian concert society and the seventh of Italy.
Characterised by the high quality of its artistic programming, in 1930 it received financial support by the prestigious Reale Accademia d’Italia, which has been confirmed yearly in the 30s and 40s.
After the second World War, the programming, that was focused exclusively on chamber music, opened up to the symphonic repertoire, to dance and musical theatre.

The Fondazione I Teatri di Reggio Emilia was created in 2002.
Its activity consists of six seasons part of different performing arts: Opera, Concerts, Dance, Prose, and so on. It organises also the Festival Aperto, dedicated to contemporary music and dance intertwined with art, literature and technologies, the international competition for string quartets “Premio Paolo Borciani”, as well as numerous exhibitions, activities for schools and conferences.

In order to carry on this extensive activity, the Foundation has a unique theatrical system: three different and stunning theatres are located on a square at the heart of the city. The Teatro Municipale Romolo Valli is the classic theatre for the Italian opera, where they organise seasons of opera, concerts and musicals.
The Teatro Ariosto hosts mainly the prose.
The Teatro Cavallerizza is dedicated to the contemporary arts.

Founded in 1987 and established as a Foundation in 2002, Musica Insieme is now one of the leading music societies in Italy. The Concerti di Musica Insieme season, now in its thirttieth anniversary, has established itself as one of the most important in Italy for the quality of the musicians and artistic choices, emerging as one of the programs with the greatest number of seasonticket holders in Italy. From the beginning, important artists have topped the bill (including Pollini, Sollima, Baremboim, Kissin, Lupu, Maisky, Zimerman, Gutman), as well as debuting some of the best talent to have risen to international prominence by winning important competitions.

At the heart of the Foundation is passion, admiration, diffusion, and production of classical music. It is a precious patrimony, like all other high forms of culture – from Shakespearean Theatre to the Sistine Chapel – that we must keep alive, protect and hand down to future generations.
Umbria counts a large presence of ancient festivals and a famous society of concerts. Italy’s central region is a fertile land for culture for many of our Foundation’s projects. Projects. Our Foundation’s program relies on high quality research. The proposal of our Foundation is inspired by the research of quality programs for out concerts: the musical languages could vary, as could our audiences, but the quality is never sacrificed.
The Foundation, even given its role of mediator between the local public and the national and international music world, promotes local musicians, who contribute to supporting a strong voice in the musical scene.

Over 1400 concerts and 88 years of history.

The Società dei Concerti di Trieste never forgets its roots. Founded in 1932, it keeps on focusing on great music and interpreters. It has hosted great conductors, such as Victor de Sabata and Herbert von Karajan, the pianists Alfred Cortot, Arthur Rubinstein, Wilhelm Backhaus, Walter Gieseking, Claudio Arrau, Edwin Fischer, Arturo Benedetti Michelangeli, Vladimir Horowitz and many others.
Today, the Società keeps on promoting the culture of classical music through inaugural lecture, projects dedicated to the youngsters and courses of music history.

The present-day Società del Quartetto is the product of an evolution that was initiated in 1864 by Arrigo Boito and Tito Ricordi, to “encourage and disseminate devotion to good music through public and private concerts, especially in the Quartet and Symphonic genres.”

This evolution has been innovative yet attentive to tradition, aware of having to adjust to the changed context in which it now has to function.
With respect to tradition, the Quartetto has preserved the excellence of its performers: a quick glance at the musicians who have been our guests during the first part of the new millennium confirms that they are among the few heirs of the legendary von Bülow, Rubinstein, Busoni, Paderewski, Rachmaninoff, Schnabel, Horowitz, Backhaus, Cortot, Gieseking, Serkin, Lipatti, Joachim, Milstein, Heifetz, Casals, Toscanini, Richard Strauss and the many others named in our archives.
The City of Milan has recognized these efforts by conferring the Ambrogino d’oro, the city’s greatest honour, on the Quartetto.


The Società del Quartetto di Vicenza is a not-for-profit association organising and promoting concert seasons, festivals and music events. 
The history of the association started in 1910, when the writer Antonio Fogazzaro put together a group of people passionate of music so to create a music association in Vicenza.
Since then, the association has transformed from a group of bourgeois and aristocrats into an association whose activities are open to a wider and wider audience.

Today, the concerts are attended by 20 000 spectators, very different in their age, education, and so on. This is also due to their wide music offer that ranges from classical to popular music.


The Comitato AMUR was born in May 2020 from the desire to bring together some of the most important Italian institutions operating in the classical music sector in a single body, with the aim of promoting common activities and objectives. The Committee wants to enhance the concert planning of its members through shared communication tools, but also to create collaboration and project opportunities, and participate in international networks.

Preceded by the five-year experience of the Rete Amur, the Committee is formed by proposing itself as a propulsive and proactive force, for a concrete and national response to the cultural life. The value of creating a system, which has always united the institutions involved, is transformed into a common commitment: the institutions of classical music, aware of their moral responsibility and cultural heritage to be handed down to the new generations, intend to stimulate further adhesions and as many virtuous unions in Italy and abroad, and at the same time relaunch classical music concerts in the country.

The members of the Comitato Amur:
Campania: Associazione Alessandro Scarlatti
Emilia Romagna: Associazione Ferrara Musica, Fondazione Musica Insieme di Bologna and Società dei Concerti di Parma
Friuli-Venezia Giulia: Società dei Concerti di Trieste
Lombardia: Società del Quartetto di Milano and Fondazione La Società dei Concerti di Milano
Marche: Marche Concerti
Sicilia: Associazione Musicale Etnea and Associazione Siciliana Amici della Musica
Tuscany: Associazione Musicale Lucchese
Umbria: Fondazione Perugia Classica Onlus
Veneto: Amici della Musica di Padova and Società del Quartetto di Vicenza

The importance of creating a stable and unique collaboration between entities with such experience and representativeness of the territory is accompanied by the desire to extend the participation to other musical institutions spread throughout the country with similar characteristics and which share the aims of the committee. 


The Accademia Filarmonica di Casale was founded in 1827 on the initiative of a group of friends who set out to create cultural artistic events. “The Accademia aims at bringing together civil and respectable people in order to provide honest and useful recreation for young people.”
In 1837 the noble residence of the Gozzani di Treville family, dated 1711, became the seat of the philharmonic academy.



Amici della Musica di Foligno was born out of the will, determination and courage of Antonino Scarcella, university professor of Greek culture at the Magisterium of Perugia, author of academic texts of Greek History and Literature, writer, author of countless essays, former Dean of the Classical Lyceum of Foligno, musicophile and musicologist, expert above all of Wagner. Cultured, sensitive, refined, he traveled throughout Europe to listen to music and attend conferences on music. He gathered around him a small number of friends whom he knew were interested in the problem of the diffusion of listening to live classical music and launched a challenge: to create an association that would fill this void in the territory.
In 2017, the association, which had already intensified its commitment in the field of music training, demonstrated the power of music also in the field of rehabilitation of subjects affected by mental disorders, opening the way for new projects in the social field.


Established at the end of May 2000, the Associazione Idea Valcerrina – with headquarters in Piancerreto, a hamlet of the Municipality of Cerrina – is a socio-cultural association aiming at promoting the knowledge of music, literature and figurative arts, environmental protection, local traditions and natural beauty.

The Associazione Lingotto Musica has been founded in 1997 and its roots are to be found in the re-use for musical purposes of the industrial building called Lingotto.

The association organises the symphonic season of  “Concerti del Lingotto”, which takes place in the Auditorium Giovanni Agnelli, designed by architect Renzo Piano, and the chamber music concert series “Giovani per tutti” in the Sala Cinquecento.

The association was founded in 1957 with the aim of offering to the public chamber, instrumental and vocal music concerts. Its first president was Mr. Letterio Bevacqua and among the founding members there was Maurizio Arena, who later became one of the most acclaimed Italian orchestra directors. Ever since it was born, the association has offered high-quality concerts, giving an important growth possibility to young interpreters, even local ones, and presenting at the same time musicians and singers of exceptional international value such as Nikita Magaloff, Severino Gazzelloni, Tito Schipa, Gino Bechi, Nicola Rossi Lemeni.
During the last ten years the activity of the Bellini, under the guidance of Antonio Alì before Giuseppe Ramires’ from 2008, has always been extremely remarkable, with interesting proposals both in the chamber field, in ballet, in jazz and in folk music. The Bellini promotes various musical languages with balance and artistic taste, including the contemporary Italian and European repertoire, experimental projects by young composers, ethnic music, interaction forms between arts, jazz. Always pursued with an eye on the classical tradition.

 Fazioli Pianos has been producing grand and concert grand pianos since 1981, when the company was founded by the engineer and pianist Paolo Fazioli.

The Fazioli Concert Hall season, launched in 2005, highlights the continuous and privileged contact of the FAZIOLI Company with the most renowned artists of the international concert scene, as well as the promotion of young artists – a dear aspect for FAZIOLI. Indeed, specifically for the pianists of the new generation FAZIOLI has conceived the new “Winners” concert series, dedicated to the winners of the most renowned piano competitions.
All concerts are open to the public and the season draws a national as well as international audience, with a major positive impact on the local cultural development.

The Opera di Santa Maria del Fiore was founded by the Florentine Republic in 1296 with the participation of the city’s ecclesiastical authorities to oversee construction of the new cathedral and its bell tower.

The Opera di Santa Maria del Fiore promotes, organises and sponsors initiatives of a cultural nature such as concerts and other musical events, conferences, study seminars, exhibitions, and traditional folkloric events, and special openings of the monuments in its care to mark particular occasions. Some of these initiatives have become such regular occurrences that they are now permanent fixtures in Florence’s cultural calendar. These recurrent events have always been accompanied by other cultural initiatives ranging from events of the greatest international importance to initiatives aimed at a broader audience, frequently reviving ancient traditions, alongside more academic and scholarly occasions designed to promote the furtherance of knowledge and research. In short, the Opera promotes a broad, multi-faceted cultural programme designed to meet a wide range of requirements and interests for local residents and visitors alike.